- Published: 28 October 2020 28 October 2020
The Country Escape is a delightful story of new beginnings. Katie and her daughter Poppy have moved to a run-down cottage in Christmas Steepleton on the Dorset coast. This is to be their safe haven away from her controlling ex-husband, Luc. Harvest Cottage needs a bit of work, but for the immediate future it will suit Katie and Poppy just fine. A local film production company sees its potential as the ‘house of a serial killer’, and the fees they are willing to pay will give Katie a bit of breathing space to sort her life out.
One morning, not long after they moved in, they wake to find a horse in the back garden, and this is how they meet Gabriel. He explains that Patrick was pulling a traditional gypsy caravan owned by Granny Mary, who was suddenly taken ill and had to go to hospital. Although not keen, Katie agrees he can stay until alternative arrangements can be made, and the caravan in the garden makes a great refuge when the filming has taken over the house.
Despite the cover, there is nothing twee about this book; it depicts flawed characters with real-life problems such as bullying, sexual stereotyping and the devastating prospect of sight loss. As a refreshing change, Gabriel is not the usual ‘alpha male’ main character. He is very creative and among other things makes and sells beautiful patchwork quilts.
The atmospheric setting is shown in the vivid descriptions of the autumnal Dorset countryside. The cast of quirky but believable secondary characters results in a humorous story with a positive message; no matter what the problem is, there is always hope.
I read and enjoyed a lot of Jane Lovering’s early books, so when The Country Escape came up on NetGalley I jumped at the chance to review it, and was not disappointed. Katie and Gabriel help each other to see their problems in a new light, and so are able to overcome the past and move on.
Thanks to Boldwood Books and NetGalley for a digital copy to review.
- Published: 22 October 2020 22 October 2020
The Darkest Evening is the ninth book in the Vera Stanhope series by Ann Cleeves, the title having been taken from a poem by Robert Frost. I am a big fan of Ann Cleeves’ writing, and have read all the #Vera and #Shetland books (as well as being an avid viewer of the TV programmes).
The book opens with Vera getting caught in a blizzard on her way home, and finding a baby in an abandoned car. Heading for the nearest signs of civilization, she ends up at Brockburn, a large country house belonging to her late father’s family. When baby Thomas’s mother is found murdered nearby, Vera calls in Joe, Holly and the rest of her team, though the investigation is hampered by the extreme weather conditions.
A strong sense of place is always evident in Ann Cleeves’ writing, and The Darkest Evening is no exception. In some ways this is a modern slant on the classic country house mystery, with a large cast of characters and red herrings galore, set amid the snowy Northumbrian landscape.
As Vera and her officers search for the killer, many closely guarded secrets are revealed. This is a small community where everyone knows each other’s business and gossip is rife. Ann Cleeves repeatedly leads her readers in the wrong direction, up dead ends, until all is finally revealed.
As Vera last visited Brockburn with her father when she was a teenager, we get a bit more background about the Stanhope family, and why Vera does not have much to do with them these days.
The Darkest Evening has all the hallmarks of an excellent crime novel – fantastic plot, brilliant writing and strong character development. Despite having a large cast of characters, we have no trouble telling them apart as Ann Cleeves works her magic and brings them to life on the page.
I have no hesitation in recommending this book but, while it works well as a standalone, you would enjoy it all the more if you read all the other Vera stories first.
- Published: 08 October 2020 08 October 2020
The Lost Love Song is a very unusual story about the power of music and memory. Many years after the tragic death of his girlfriend, Diana, Arie hears a melody reminiscent of the one she had written and played for him the night before she left; she had planned to finish the song while on tour.
After several years travelling overseas, Evie returns to Melbourne and just happens to rent the house next door to Arie. She had heard two young musicians playing the song at Waverley Station in Edinburgh, and never forgotten it. The haunting melody has stayed with her and she is trying to play it on her guitar when Arie overhears, and it triggers his last memories of Diana.
Diana’s love song leaves an impression on everyone who hears it, and it makes its way around the world, from musician to musician, until someone adds lyrics and records it. The melody may have changed slightly, but the essential feeling is still there.
Despite being attracted to Evie, Arie does not feel quite ready for a new relationship, and lets her slip through his fingers with no way of getting in touch. Will Diana’s song help Arie move on and find love again with Evie?
A lot of the story is set in Australia, which is unusual, and I confess I had to get the atlas out to find the places mentioned in the book. I also found Evie’s poems very moving, and was glad she did not give up on her dreams.
The characters are well rounded and believable. The Lost Love Song deals with grief and loss in a very sensitive way, particularly how Arie and Belinda (Diana’s mother) find it hard to move on without her body to lay to rest. It is also about love, hope and second chances; despite the tragedy, the story is ultimately uplifting and hopeful.
Thanks to the publisher and NetGalley for an ARC to review.
- Published: 20 October 2020 20 October 2020
It is now two years on from The Stone Circle and much has changed, not least Ruth having relocated to Cambridge. All the usual characters are there, but the new setting makes everything feel slightly off-kilter to the reader and Ruth, who is clearly having trouble adjusting to her new life.
Despite hoping for a new start, it is obvious that life with Frank is not quite right. Ruth’s main impetus for moving away was to put some distance between herself and Nelson; in this she does not succeed, and the books would not have the same appeal without their relationship at its heart.
Ivor March has been imprisoned for murdering two young women, but will not divulge where two other bodies are buried. In an attempt to get closure for the missing girls’ families, DCI Nelson goes to visit March in prison. The upshot is he will only reveal the location if Ruth is in charge of the excavations.
There is an interconnectedness to the plot with Ruth having been on a writing retreat run by March’s ex-wife, Cathbad’s daughter reporting on the case for the local paper and Nelson’s daughter being a member of the local cycling group. As we have come to expect from Elly Griffiths, there is misdirection galore, and plenty of red herrings to keep the reader guessing.
This series is all the more enjoyable because the cast of characters are so familiar; they are at the heart of the stories, much more so than the mysteries. You could read The Lantern Men as a standalone, but to make sense of all the relationships it would be much better to start at the beginning. The sense of place, mix of crime and archeology, cast of well-written and well-loved characters, and Elly Griffiths’ usual wit and humour all combine to make this a thoroughly entertaining read. Let’s hope we see Ruth return to Norfolk in the next book!
- Published: 06 October 2020 06 October 2020
Five Hundred Miles From You is the third of Jenny Colgan’s books set in the Scottish village of Kirrinfief, but works fine as a standalone. The action is split between Scotland and London, and somehow the contrast gives the narrative a disjointed feel.
Lissa and Cormac are both Nurse Practitioner Liaisons working in the community, who swap locations for six months after Lissa experiences a traumatic event while on duty in London. To begin with they are both well out of their comfort zones, but slowly come to appreciate things about their new surroundings.
I loved the idea behind the story, but did not feel that it worked all that well. There was little or no chemistry in the exchanges between the main characters, they seemed to spend more time getting to know their neighbours than each other, and the ending was disappointing and a bit far-fetched.
I loved the descriptions of the Scottish countryside, but found the gritty realism of life in London too much of a contrast. I have read and enjoyed a lot of Jenny Colgan’s earlier books, and will continue even though this one did not really work for me. Thanks to the publisher and NetGalley for an ARC to review.