In The Black Art of Killing, Leo Black has quit the SAS to forge a new career in academia, but is finding it hard to gain acceptance at Worcester College, Oxford. When his former colleague and friend, Ryan Finn, is murdered in Paris, Leo is dragged back into a world he thought he had left behind forever. He no longer wants to kill but, unfortunately, people with his skills are often the only solution.
This intelligent thriller, with its flawed and conflicted main character, will set your pulse racing as well as make you think. Leo Black is an unusual combination of the physical and the cerebral, but this is exactly what makes him so dangerous. The Black Art of Killing is well written and fast paced, with several unexpected twists that I did not anticipate, and an impressive finale where Leo closes in on the bad guys deep in the Venezuelan jungle, though some suspension of disbelief is necessary.
I thought The Black Art of Killing had a cinematic quality, could imagine it being made into a film or TV series, and then discovered why; the author is a well-known screenwriter responsible for the likes of Keeping Faith and The Coroner. I don’t know if Matthew Hall intends to write more books featuring Leo Black, the ending is inconclusive, but I would definitely be interested in reading them if he does.