- Published: 08 October 2020 08 October 2020
The Lost Love Song is a very unusual story about the power of music and memory. Many years after the tragic death of his girlfriend, Diana, Arie hears a melody reminiscent of the one she had written and played for him the night before she left; she had planned to finish the song while on tour.
After several years travelling overseas, Evie returns to Melbourne and just happens to rent the house next door to Arie. She had heard two young musicians playing the song at Waverley Station in Edinburgh, and never forgotten it. The haunting melody has stayed with her and she is trying to play it on her guitar when Arie overhears, and it triggers his last memories of Diana.
Diana’s love song leaves an impression on everyone who hears it, and it makes its way around the world, from musician to musician, until someone adds lyrics and records it. The melody may have changed slightly, but the essential feeling is still there.
Despite being attracted to Evie, Arie does not feel quite ready for a new relationship, and lets her slip through his fingers with no way of getting in touch. Will Diana’s song help Arie move on and find love again with Evie?
A lot of the story is set in Australia, which is unusual, and I confess I had to get the atlas out to find the places mentioned in the book. I also found Evie’s poems very moving, and was glad she did not give up on her dreams.
The characters are well rounded and believable. The Lost Love Song deals with grief and loss in a very sensitive way, particularly how Arie and Belinda (Diana’s mother) find it hard to move on without her body to lay to rest. It is also about love, hope and second chances; despite the tragedy, the story is ultimately uplifting and hopeful.
Thanks to the publisher and NetGalley for an ARC to review.
- Published: 06 October 2020 06 October 2020
Five Hundred Miles From You is the third of Jenny Colgan’s books set in the Scottish village of Kirrinfief, but works fine as a standalone. The action is split between Scotland and London, and somehow the contrast gives the narrative a disjointed feel.
Lissa and Cormac are both Nurse Practitioner Liaisons working in the community, who swap locations for six months after Lissa experiences a traumatic event while on duty in London. To begin with they are both well out of their comfort zones, but slowly come to appreciate things about their new surroundings.
I loved the idea behind the story, but did not feel that it worked all that well. There was little or no chemistry in the exchanges between the main characters, they seemed to spend more time getting to know their neighbours than each other, and the ending was disappointing and a bit far-fetched.
I loved the descriptions of the Scottish countryside, but found the gritty realism of life in London too much of a contrast. I have read and enjoyed a lot of Jenny Colgan’s earlier books, and will continue even though this one did not really work for me. Thanks to the publisher and NetGalley for an ARC to review.
- Published: 30 September 2020 30 September 2020
I have been reading Elly Griffiths’ Ruth Galloway series of novels from the very first one, Crossing Places; this is number eleven. It was a real pleasure to jump back into the world of Ruth and Nelson. While you could read this as a standalone, there are lots of references to things that happened in previous books. It would probably be better to start at the beginning in order to get the most out of them.
During the course of an archaeological dig, the remains of a 12-year-old girl are found. Margaret Lacey disappeared in 1981 during a street party celebrating the royal wedding, and her killer was never caught. DI Nelson receives anonymous letters very similar to ones sent to him in the first book, but they cannot be from the same person as he is long dead. The investigation that follows features suspects and red herrings galore; I did not guess who the murderer was, but very rarely do.
Part of the appeal of this series is the setting – a salt marsh on the north Norfolk coast – which lends the stories an atmospheric quality; it is a beautiful landscape, but treacherous if you don’t know your way around.
Another attraction is the cast of familiar characters, most of whom have been there since the beginning, who continue to evolve and grow as the series progresses. Ruth does not play as large a part in this story as she usually does, but she is always there, on the periphery. The overriding theme of The Stone Circle is complicated and difficult family relationships, both among the police officers and the people they are investigating.
If you enjoy reading well-established crime series, with characters that come to seem like old friends, I suggest you start with the first book; I don’t think you will be disappointed.
- Published: 06 October 2020 06 October 2020
When the Lights Go Out is the story of Emma, Chris and their sons, Dylan and James, who are living in north west England during a very prolonged, unseasonal spell of heavy rainfall.
They do not see eye to eye about the climate change argument. Emma is the main breadwinner and seems to be holding the family together, while making small doable changes to their lifestyle such as recycling, using public transport and creating homemade gifts. Chris has lost a lot of his gardening work due to the effects of the inclement weather and subsequent flooding. He is taking extreme measures, such as stockpiling food in the garage and preaching in the street about the coming environmental apocalypse, regardless of the suffering he is inflicting on his family.
In the spirit of compromise, Emma has been putting up with Chris’s strange and obsessive behaviour, but eventually she reaches her ‘red line’ and he realizes he has gone too far. I won’t spoil it for you by saying any more.
The writing is very atmospheric – you can almost feel the dampness seeping into your bones – and the descriptions of Chris’s strange behaviour depict an evangelical obsession which echoes the religious zealotry displayed by his family (particularly his father) when he was growing up.
The pace is quite slow to begin with, and I found it took me a while to get into the story. The point of view is split between Emma and Chris, with occasional chapters from James, and Chris’s mother Janet. I found it quite hard to empathize with Chris’s fanatical obsession, as he could no longer see how his behaviour was affecting everyone else.
The story works on many levels: a family drama about a marriage under severe stress; all the differing views surrounding climate change; the effects of parents’ behaviour and beliefs on their children. It could have been quite a depressing tale, but is saved by the black humour.
I had not read anything by Carys Bray before, but will definitely try some of her previous books. Thanks to the publisher and NetGalley for an ARC to review.
- Published: 18 September 2020 18 September 2020
Set in Somerset in 1864, Fair as a Star is the first in the Victorian Romantics series by Mimi Matthews. Newly returned from a mysterious trip to Paris with her aunt, Beryl Burnham tries to pick up her life where she left off. She is engaged to Sir Henry Rivenhall, in a marriage of convenience, but has always been good friends with his brother, Mark, who is curate in the local church.
No one knows why she left for France so suddenly, and local gossip was rife, but she has to come clean to Mark when he accidentally finds her weeping in a secluded spot by the river. She is suffering from depression (or melancholy as it was known then) and does not want anyone to know, partly because of the extreme treatments advocated by her previous doctor.
Mark is very understanding, and does not belittle what she is going through. As a curate, he is a good listener and this is just what she needs. He does not suggest cures for her melancholy, does not even see her as damaged. The message here is to accept others for who they are as individuals, and not try to make them all fit into the same mould.
This is a romance novel, and the ending is obvious from the start, but it is how Mimi Matthews achieves this end that makes it so readable. Sir Henry is very full of his own importance and thinks he knows best, but does not love Beryl. She realises her affections lie elsewhere and behaves in a very bold fashion.
I read this in one sitting, and thought it dealt very sensitively with the difficult subject of depression. It was not really understood back then, and a lot of strange, harmful beliefs and so-called ‘cures’ were commonplace. Medicine was a very male-dominated profession, and women faced both the patronising attitude of old-school male doctors, and the ludicrous treatments they prescribed.
The period detail is convincing, and the characters come across as well rounded individuals; my favourite was Beryl’s horse-mad sister, Winnifred, whose story will no doubt feature in a later book. I will certainly be looking out for the next book in the Victorian Romantics series.
Thanks to Mimi Matthews for a copy that I review as a member of Rosie’s Book Review Team #RBRT